比贝尔: 玫瑰经奏鸣曲
Amandine Beyer,Gli Incogniti
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规格:46首
流派:古典
发布:2023-02-17
公司:Harmonia Mundi
专辑介绍:
海因里希·伊格纳兹·弗朗兹·冯·比贝尔(Heinrich Ignaz Franz von Biber)(1644~1704)是一名巴洛克时期的波西米亚-奥地利作曲家。他1644年8月生于波希米亚的瓦尔滕贝格,1704年5月3日卒于萨尔茨堡。早年他曾在奥尔穆兹大主教麾下效劳,1670年神秘莫测地离职,此后一直为萨尔茨堡大主教工作,起先任男童合唱教师,后任副乐长,1684年起晋升为乐长,1690年,奥皇利奥普德一世封他为骑士。比贝尔是世界器乐史上最重要的小提琴作曲家之一,被音乐史家Charles Burney称颂为十七世纪最伟大的小提琴作曲家。
《玫瑰经奏鸣曲》,又名《神迹奏鸣曲》,是比贝尔为小提琴和通奏低音所作的奏鸣曲。它包含了15首较为短小的奏鸣曲(由小提琴和通奏低音演奏)与一首帕萨卡利亚舞曲(小提琴独奏)。这套奏鸣曲应该写于1676年左右,但直到它在1905年出版之后才为人所知。后来,他成为了比贝尔最著名的作品。该作品在结构、技巧性以及变格定弦等方面都得到了较高的评价。
《玫瑰经》其实就是圣母圣咏,比喻祷文如敬献圣母的玫瑰花冠。这套奏鸣曲15首都按祷文的标题,从第一首《报喜》一直到最后一首《圣母加冕》,结尾则是一首小提琴独奏的帕萨卡利亚。
这个版本由阿曼丁·拜尔和格利·印可尼提创作,源自与罗萨斯公司的一个舞蹈项目。
艺术家介绍:
从几年前开始,阿曼丁·拜尔就被认为是巴洛克小提琴曲目演绎方面的典范。她在2012年录制的J.S.巴赫的奏鸣曲和帕蒂塔,获得了最好的国际评论家的评论。这部杰作的工作正在继续,由安妮·特蕾莎·德·基尔斯梅克尔和鲍里斯·夏尔马茨编排和舞蹈的表演 “帕蒂塔2″。她经常在全球最重要的音乐厅和音乐节上演出,例如:夏特莱剧院, 因斯布鲁克艺术节, 维也纳音乐厅等。她经常与不同的音乐团体合作,如黑角乐队、克里斯蒂安·贝祖登胡特或劳伦斯·拜尔组成的二重奏以及她自己的合奏—隐姓埋名乐队,他们为维瓦尔第的《四季》和科雷利的《大提琴协奏曲》制作的CD受到国际评论家的欢迎,被认为是演奏这一曲目的新亮点
专辑曲目:
1 | Mystery (Rosary) Sonata No. 1 in D Minor, The Annunciation: I. Praeludium | 00:02:01 38M |
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2 | Mystery (Rosary) Sonata No. 1 in D Minor, The Annunciation: II. Variatio – Aria allegro – Variatio – Adagio – [Variatio] | 00:02:01 38M |
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3 | Mystery (Rosary) Sonata No. 1 in D Minor, The Annunciation: III. Finale | 00:00:58 17M |
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4 | Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: I. Sonata – Presto | 00:01:29 28M |
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5 | Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: II. Allaman[da] | 00:02:00 38M |
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6 | Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: III. Presto | 00:00:40 13M |
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7 | Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: I. Sonata – Presto – Adagio | 00:01:11 21M |
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8 | Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: II. Courente – Double | 00:02:22 46M |
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9 | Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: III. Adagio | 00:01:27 27M |
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10 | Mystery (Rosary) Sonata No. 4 in D Minor, The Presentation of Jesus in the Temple: Ciacona – Adagio | 00:06:20 120M |
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11 | Mystery (Rosary) Sonata No. 5 in A Major, The Finding of Jesus in the Temple: I. Praeludium – Presto | 00:00:50 16M |
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12 | Mystery (Rosary) Sonata No. 5 in A Major, The Finding of Jesus in the Temple: II. Allaman[da] | 00:01:20 26M |
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13 | Mystery (Rosary) Sonata No. 5 in A Major, The Finding of Jesus in the Temple: III. Guigue | 00:01:09 22M |
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14 | Mystery (Rosary) Sonata No. 5 in A Major, The Finding of Jesus in the Temple: IV. Saraban[da] – Double | 00:03:04 55M |
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15 | Mystery (Rosary) Sonata No. 6 in C Minor, The Agony in the Garden: I. Lamento – Presto | 00:02:52 53M |
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16 | Mystery (Rosary) Sonata No. 6 in C Minor, The Agony in the Garden: II. | 00:02:07 39M |
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17 | Mystery (Rosary) Sonata No. 6 in C Minor, The Agony in the Garden: III. Adagio | 00:00:40 11M |
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18 | Mystery (Rosary) Sonata No. 6 in C Minor, The Agony in the Garden: IV. | 00:00:50 14M |
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19 | Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: I. Allamanda – Variatio | 00:02:58 57M |
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20 | Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: II. Sarab[anda] – Variatio – [Variatio] – [Variatio] | 00:04:16 82M |
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21 | Mystery (Rosary) Sonata No. 8 in B-Flat Major, The Crowning with Thorns: I. Adagio – Presto – [Adagio] | 00:01:55 36M |
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22 | Mystery (Rosary) Sonata No. 8 in B-Flat Major, The Crowning with Thorns: II. Guigue – Double I [Presto] – Double II | 00:03:27 67M |
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23 | Mystery (Rosary) Sonata No. 9 in A Minor, The Carrying of the Cross: I. Sonata | 00:01:50 35M |
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24 | Mystery (Rosary) Sonata No. 9 in A Minor, The Carrying of the Cross: II. Courente – Double – [Double] | 00:02:58 58M |
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25 | Mystery (Rosary) Sonata No. 9 in A Minor, The Carrying of the Cross: III. Finale | 00:01:19 24M |
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26 | Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: I. Praeludium | 00:01:08 22M |
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27 | Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: II. Aria – Variatio – [Variatio] | 00:02:58 56M |
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28 | Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: III. Adagio – [Variatio] – [Variatio] | 00:03:33 66M |
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29 | Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: I. Sonata | 00:02:27 44M |
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30 | Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: II. Surexit Christus hodie | 00:04:13 75M |
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31 | Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: III. Adagio | 00:01:08 20M |
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32 | Mystery (Rosary) Sonata No. 12 in C Major, The Ascension: I. Intrada | 00:00:36 11M |
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33 | Mystery (Rosary) Sonata No. 12 in C Major, The Ascension: II. Aria Tubicinum | 00:01:13 23M |
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34 | Mystery (Rosary) Sonata No. 12 in C Major, The Ascension: III. Allamanda | 00:01:39 30M |
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35 | Mystery (Rosary) Sonata No. 12 in C Major, The Ascension: IV. Courente – Double | 00:02:20 46M |
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36 | Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: I. Sonata | 00:03:02 58M |
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37 | Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: II. Gavott[a] | 00:01:19 25M |
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38 | Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: III. Guigue | 00:01:26 28M |
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39 | Mystery (Rosary) Sonata No. 13 in D Minor, The Descent of the Holy Spirit: IV. Sarabanda | 00:01:35 29M |
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40 | Mystery (Rosary) Sonata No. 14 in D Major, The Assumption of Mary into Heaven: I. [Praeludium] | 00:01:57 37M |
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41 | Mystery (Rosary) Sonata No. 14 in D Major, The Assumption of Mary into Heaven: II. Aria – Guigue | 00:05:29 108M |
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42 | Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: I. Sonata | 00:01:22 26M |
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43 | Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: II. Aria – [Variatio] – [Variatio] – [Variatio] | 00:04:03 78M |
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44 | Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: III. Canzon[a] | 00:01:21 27M |
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45 | Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: IV. Sarabanda – [Double] | 00:02:47 49M |
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46 | Mystery (Rosary) Sonata No. 16 in G Minor, The Guardian Angel: Passacaglia | 00:07:50 145M |
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